Music Nerdery.

musicnerdery@gmail.com

Dig Through The Nerdery Here:

Archives

Information

This article was written by E on 27 Mar 2011, and is filed under Hip Hop.

Current post is tagged

, , , , , , , , ,

Most Popular Posts

Recent articles

Recent comments

  • E. on Anita Baker - Live In London: 7.27.1986 | Time to break for a second.
  • Steph. on Anita Baker - Live In London: 7.27.1986 | Time to break for a second.
  • E. on Anita Baker - Live In London: 7.27.1986 | Time to break for a second.
  • Steph. on Anita Baker - Live In London: 7.27.1986 | Time to break for a second.
  • E. on Can someone help us find out what this is? Is this Kanye Tracklisting real? Rich Black American?

Music Nerdery + Potholes In My Blog = Review: Lupe Fiasco – Lasers.


While were still working on archiving, I had to stop and post this up for you guys. This one I’m kinda proud of. It just came out right. First time in a long time where it kinda wrote itself.

As always… Glory to Potholes for thinking what I have to say is valid. You can head over there and leave a comment for me and validate my eWritings, you know I’d appreciate it. :)

Um, Yeah.

Lupe Fiasco – Lasers
Atlantic: 2011

Despite what you might have heard, Lasers doesn’t suck in its entirety. It really doesn’t.

But it’s not really that great either.

There are multiple issues that have been consistently plaguing this project from the get-go and unfortunately they are reflected within the music and the album itself. When the oft-delayed Lasers found its way to the internet about a week before its official release, the initial feedback I was reading wasn’t positive. Perplexing, since the only reason the album was released was due to overwhelming demand from his fan base (via the Internets) after his label delayed the project for a year. Even more confusing is that the album moved 200,000 copies in its first week, regardless of the negative rabble-rousing.

After having a chance to dig into the back history of Lasers and some time to sit with the project and dig into each individual song, I really started to understand the complaints. And most of them are valid. You can start with the obvious influence that his label had in changing this project from an album that Lupe was comfortable with to something that is marketable to the average hip-hop newbie. They seem hell-bent on having Lupe play up the “Hipster Hop™” angle, apparent from the guest appearances on the album (why is MDMA on every other song? No offense) down to the important songs the label purposely left off (when you left off “I’m Beaming”, you lost at music). It looks like the label got their way.

Then there’s Lupe himself and his lyrical content. I’ll be frank: if you are a longtime fan of Lupe, then you’ve already been spoiled, and there might be little on here as far as that classic delivery or content that we’re used to. This isn’t the same verbose and lyrically complex Lupe Fiasco of 2005 mixtape fame. It’s not even Food And Liquor Lupe. And as a result… people are a bit disappointed; myself included. In the past, Lupe has spent an entire song describing how “they” want him to “Dumb It Down” then proceeds to deliver verses and records that aren’t up to par with previous works, which seem worded to make it a bit easier for the masses to understand. Throw that against beats that normally would not qualify as “hip-hop” music and what you have is a bunch of mad fanboys out there.

Despite these failures, the album still has some moments of glory. “The Show Goes On” is a flawless example of this indie | hipster meets hip-hop meld that’s becoming more prevalent, and is the preferred (forced?) single from the reformatted, label-cleared album. I’m actually quite fond of this song and the Modest Mouse original it came from, “Float On”. “All Black Everything” is the only track where Lupe seems to be in old form; with those historically vivid, politically fundamental punch lines that we all know and love (“Everybody’s rappin like crack never happened”). From there, most of the songs were a bit too entrenched in hipster-sounding music, or the lyrical content was such that I just… couldn’t care. (“State Run Radio”…WTF. I just don’t know. And I really tried.)

In a perfect world, Lupe would have had more control over Lasers. Important singles and their videos would have been pressed and marketed correctly, and it actually would have sounded like hip-hop music. Unfortunately, this is not a perfect world. Or album. For the outsider who has never listened to Lupe before, or for those who are new to hip-hop… this might be a great starter album for you. But for those who already know the history of Lupe Fiasco and his high lyrical standards, or those who are keen on hip-hop, you might just want to pass. For now, I’ll be over here, patiently waiting for Lupe’s return to complex, thought-provoking rhymes. I’m sure it won’t take long.

______

So. How’d that sound? I think I got my point across, save some thoughts. Hipster Hop. Trademarked. Patent Pending. (lolz.)

Leave a comment SOMEWHERE, pray for this archival to wrap itself up, and Enjoy Kids.


Stumble This

     
  • Ryan

    I love the new layout…fantastic!

    as for the review, very well written and honest…this lately Lupe album isn’t at all getting the love or BEING loved at all like his past ones because it just isn’t good…

    i’m glad someone put THAT TRUTH out there…

    great stuff.

    • http://MusicNerdery.com E

      thank you sweetie. :D

  • Ron

    Thanks for this! I’ve yet to listen to full album and was hesitant on buying it because of all the negative backlash on it. I am disappointed to hear that “I’m Beaming” was left off!!

    I just started listening to Lupe about two years ago, so I”m still catching up with his previous albums and am yet to be as spoiled as die-hard fans. With that said, I’ll still be supporting Lupe and skip a meal (or two) or call off work to save on gas in order to buy the album!

    Great review!

    • http://MusicNerdery.com E

      Make sure you check out his early mixtapes. They are still out there on the internets somewhere. Thanks so much for stopping by and even reading. Appreciate it; come back soon.

  • bellamt

    I interpret musicnerdery.com via google translate – provision up with the good stuff !